¿Puede Alguien Por Favor Detener la Plaga de Podcasts, VideoCasts, Espacios de Oficina Aburridos y la Terrible Edición de Vídeo y Sonido? (Por Favor)
innovation, open source, music, Post-Digital, Media Guest User innovation, open source, music, Post-Digital, Media Guest User

¿Puede Alguien Por Favor Detener la Plaga de Podcasts, VideoCasts, Espacios de Oficina Aburridos y la Terrible Edición de Vídeo y Sonido? (Por Favor)

"En la era Post-Digital, nos enfrentamos a la plaga de podcasts y videocasts aburridos, oficinas grises y pésima edición de vídeo y sonido. Es hora de diseñar contenidos con energía, autenticidad y calidad para crear experiencias que realmente enganchen a los ciudadanos Post-Digitales. ¿Nos unimos al cambio?"

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Machina Bristronica 2024
innovation, open source, music, Post-Digital, Media Alex Lawton innovation, open source, music, Post-Digital, Media Alex Lawton

Machina Bristronica 2024

In a world where technology often feels impersonal, events like Machina Bristronica highlight the growing importance of sound design as a way to create deeper, more authentic connections. As we move beyond digital overload, sound design is becoming a key tool for artists and creators to craft experiences that resonate on a human level. Machina Bristronica focuses on the future of sound, showcasing how cutting-edge audio technology can be used to engage people in more meaningful and emotionally impactful ways.

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GIJÓN SOUND AFTERMOVIE
music, subterranea, creators, sound design Alex Lawton music, subterranea, creators, sound design Alex Lawton

GIJÓN SOUND AFTERMOVIE

Gijón Sound Festival 2024 aftermovie.

GSF exemplifies the niche, high-quality independent festival model. Rooted deeply in the local culture and committed to sustainability, Gijón Sound transforms the urban fabric of Gijón, Spain, into a vibrant musical landscape. A Mestizo Productions, Remotive Live, and LA PIPA Studios event.

Original Sound Design by Eulogio ‪@lapipaislapipa‬

Filming and Editing by Sergio Redruello ‪@lapipaislapipa‬

Producer: IXI

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CACHITO TURULO
music, subterranea, creators Alex Lawton music, subterranea, creators Alex Lawton

CACHITO TURULO

Ernesto Avelino is a Spanish artist from Asturias, known for his involvement in several musical projects. He is part of groups such as Fasenuova, Etica Makinal, Goodbye, and Hegemonia. His work spans genres including electronic and experimental music. Avelino is recognized for his contributions to the Spanish underground music scene, particularly through Fasenuova, a duo known for their innovative electronic sounds. His musical career is marked by a distinctive approach to composition and performance, making significant contributions to contemporary experimental music.

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PABLO UND DESTRUKTION
music, subterranea, creators Alex Lawton music, subterranea, creators Alex Lawton

PABLO UND DESTRUKTION

Pablo und Destruktion, el proyecto musical del asturiano Pablo García, es un nombre que resuena con fuerza en el panorama de la música independiente en España. Con una trayectoria que mezcla la poesía, la crítica social y una puesta en escena visceral, Pablo und Destruktion se ha consolidado como una voz única e inconfundible en el ámbito del rock y la canción de autor.

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LLAR FOLK: Celebrating the Spirit of Asturian Music
music, subterranea, creators, folk Alex Lawton music, subterranea, creators, folk Alex Lawton

LLAR FOLK: Celebrating the Spirit of Asturian Music

Llar represents a community bound by shared values and passions. You are the essence—the bones and blood—of this community, and we are grateful to each one of you. Special thanks to Lisardo Prieto (fiddle), Andrea Joglar (flute), Pepín de Muñalén (flute), Gonzalo Llao (bouzouki), Luis Nicolás Carrete (guitar), Dolfu R. Fernández (fiddle), Xosé Antón Fernández “Ambás" (vocals), Ruma Barbero (Bodhrán), Xuan Nel Expósito (accordion), Celia Nieto (fiddle), Julio Rodríguez (bouzouki), Alberto Sanchez (Camera), Alex Lawton and La Pipa (cameraman, audio recording + audio+video technical equipment), FPS Audiovisuakes (Pablo) for the editing, Bree Delian and Rodrigo Joglar (Producers) and Andrés Menéndez for allowing us to use the incredible Palacio de Cienfuegos.

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